Camelot Documents. It is based on the King Arthur legend as adapted from T. H. White's 1958 novel The Once and Future King. As it happens, the shrewd King Arthur guesses that Lancelot and Guenevere have feelings for each other, but hopes it will blow over, as he does not wish to upset the tranquility of Camelot. Higham gave Warner the address of one of White's lovers "so that she could get in touch with someone so important in Tim's story. Find out more. Erstein, Hap. Arthur knights Tom, and sends him back to England to grow up there, that he might pass on to future generations the ideals of chivalry and Camelot ("Camelot" (reprise)). And for lovers of dime-store romance, Camelot has it all — a beautiful English princess swept off her feet by a shy, but passionate bachelor king; an ardent French knight, torn between devotion to his liege and an uncontrollable hunger, reciprocated, to be sure, for the king's tempestuous wife.... Camelot features a score rich in English country-tune charm by Mr. Lerner. The original 1960 production, directed by Moss Hart with orchestrations by Robert Russell Bennett and Philip J. Lang, ran on Broadway for 873 performances, winning four Tony Awards and spawning several revivals, foreign productions, and the 1967 Warner Bros. film Camelot. "[5], Broadcaster Robert Robinson published an account of a conversation with White, in which he claimed to be attracted to small girls. The musical has become associated with the Kennedy Administration, which is sometimes called the "Camelot Era". The wizard Merlyn is amused by this development, but his joy turns to sorrow as his memories of the future begin to fade. Lerner wrote: "God knows what would have happened had it not been for Richard Burton." Camelot is a musical by Alan Jay Lerner (book and lyrics) and Frederick Loewe (music). By web-master. White lived to see his Arthurian work adapted as the Broadway musical Camelot (1960) and the animated film The Sword in the Stone (1963). The war takes a terrible toll on Camelot, as more than half of the Knights of the Round Table are killed. The production, by the J. C. Williamson company, ran for two years.[21]. So she was able to present Tim in such a light that a reviewer could call him a raging homosexual. Another five years pass. "[30], The original Broadway production featured the following cast:[31][32]. Mistress Masham's Repose was influenced by John Masefield's book The Midnight Folk. It played for 518 performances. Camelot; Original Cast Recording. Contándonos la vida de Lancelot desde su juventud hasta su madurez, con su búsqueda de la pureza, sus caída y … Merlyn persuades Arthur to climb down and chides him for his unkingly behavior. "Literary Gent", Coward, McCann & Geoghegan, Inc., New York, 1979, page 213, "The Importance of The Second World War to T. H. White's "Once and Future King, "World of books: The knights with right on their side", "Books of the Times: Letters to a Friend", "Fifty Percent Fiction: Michael Moorcock", "Michael Moorcock serves up sword and sorcery with a new Elric adventure", "Real Wizards: The Search for Harry's Ancestors", "Harry Potter and the Sorcerer's Stone Novel", "Gregory Maguire Brews Another Wicked Mix of Historical Fiction & Timeless Myth", Helen Macdonald’s ‘extraordinary’ memoir wins Samuel Johnson prize, White's 1954 translation of a 12th-century bestiary, https://en.wikipedia.org/w/index.php?title=T._H._White&oldid=983157448, Writers of historical fiction set in the Middle Ages, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 12 October 2020, at 15:56. Lancelot fights them off and escapes, but Guenevere is arrested, tried, found guilty of treason by reason of her infidelity, and sentenced to be burned at the stake ("Guenevere"). He is buried in First Cemetery of Athens. [1] After the tremendous success of My Fair Lady, expectations were high for a new Lerner and Loewe musical. King Arthur supplies the wit, with songs like 'I Wonder What the King Is Doing Tonight. One of the components of the book is a biographical account of White and also The Goshawk, an account of his own failed attempt to train a hawk. Meanwhile, Mordred incites the Knights to remember their former days of fighting and pillaging, and turns them against Arthur ("Fie On Goodness!"). It is love at first sight, and they almost kiss, but are interrupted when Arthur's attendants come upon the two of them. THWPP-059-009. Mordred, meanwhile, has devised a plan to ruin Arthur and his kingdom permanently. "[2] While at Queens' College, White wrote a thesis on Thomas Malory's Le Morte d'Arthur,[4] and graduated in 1928 with a first-class degree in English. In the early 1950s White published two non-fiction books. White died of heart failure on 17 January 1964 aboard ship in Piraeus, Athens, Greece, en route to Alderney from a lecture tour in the United States. He begs Nimue for answers, as he has forgotten if he has warned Arthur about two important individuals, Lancelot and Mordred. White lived to see his Arthurian work adapted as the Broadway musical Camelot (1960) and the animated film The Sword in the Stone (1963). She tries to get rid of him, but Lancelot will not leave her ("If Ever I Would Leave You"). [2][3], White went to Cheltenham College in Gloucestershire, a public school, and Queens' College, Cambridge, where he was tutored by the scholar and occasional author L. J. Soon afterwards, Lerner was hospitalised for three weeks with a bleeding ulcer. [21], A two-year U.S. tour followed the Broadway closing, starring Kathryn Grayson and William Squire, who was succeeded by Louis Hayward. He explains that he wishes to create a new kind of knight — one that does not pillage and fight, but tries to uphold honor and justice. [5] The same year, White published Mistress Masham's Repose, a children's book in which a young girl discovers a group of Lilliputians (the tiny people in Jonathan Swift's Gulliver's Travels) living near her house. For the sake of his own honor and that of Camelot, Arthur must now wage war against Lancelot. [8] Lerner and Loewe disagreed on how to proceed with the show, as Loewe did not want to make any major changes without Hart's guidance. Morgan has a sweet tooth, and though she likes Arthur, Mordred manages to bribe her with a large supply of sweetmeats, to build one of her invisible walls around Arthur for one night, so that when he goes on his hunting trip the next day, he will not be able to get back to the castle ("The Persuasion"). He realizes that Nimue, a beautiful water nymph, has come to draw him into her cave for an eternal sleep ("Follow Me"). He is revealed as the King. He is eventually inspired, with Guenevere's help, to establish the Round Table with the motto "might for right." The show premiered in Toronto, at the O'Keefe Centre on October 1, 1960. Before the final battle, Arthur meets Lancelot and Guenevere. [11] A 1993 review in The New York Times commented that the musical "has grown in stature over the years, primarily because of its superb score ... [which] combined a lyrical simplicity with a lush romanticism, beautifully captured in numbers like 'I Loved You Once in Silence' and 'If Ever I Would Leave You.' Guenevere, Arthur's intended bride, comes to the woods. Cullum later replaced McDowall, and William Squire[3] replaced Burton. Terence Hanbury "Tim" White (29 May 1906 – 17 January 1964) was an English author best known for his Arthurian novels, The Once and Future King, first published together in 1958. [22], The New York critics' reviews of the original production were mixed to positive. Death. He enters an enchanted glade where his aunt, the sorceress Morgan le Fay, dwells in an invisible castle. She does not like the idea of being Queen, preferring to live an ordinary life- at least, an ordinary rich life- ("Simple Joys of Maidenhood").